Unhooking: On the Gigification of Intimacy
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Wendi Bootes examines the contradictory nature of facts through an assessment of Soviet factography, in an excerpt from LARB Quarterly no. 41, “Truth...
Hannah Bonner connects Kōhei Saitō’s book “Slow Down: The Degrowth Manifesto” to Sara Sowell’s short film “Color Negative” by way of the Kardashians.
Matthew Longo reflects on the surreal experience of the DMZ, where borders create both division and unity.
Hannah Sage Kay reviews David K. Seitz’s “A Different Trek: Radical Geographies of ‘Deep Space Nine.’”
Randall Mann interviews Christian Gullette about "Coachella Elegy."
At the Lucy Bull opening’s after-party, Eli Diner assesses the state of criticism, L.A. art, and the ridiculous way collectors are treated.
Shehryar Fazli reviews Salman Rushdie’s “Knife: Meditations After an Attempted Murder.”
Celina Su interviews Kendra Sullivan about “Reps.”
Robert J. C. Young reviews Adam Shatz’s “The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon.”
Sameer Pandya reviews Sumana Roy’s “Provincials: Postcards from the Peripheries.”
Eric Newman and Medaya Ocher are joined by New Yorker staff writer and former television critic Emily Nussbaum to discuss her book “Cue the Sun...
Elizabeth S. Anker reviews Jonathan Kramnick’s “Criticism & Truth: On Method in Literary Studies.”
Andrew Koppelman critiques Jack Balkin’s ”Memory and Authority.”
Ieva Jusionyte reviews Angela Garcia’s “The Way That Leads Among the Lost: Life, Death, and Hope in Mexico City’s Anexos.”
Ananya Kanai Shah reviews Ae Hee Lee’s “Asterism.”