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Transcendent Luminescence, Ravaging Flames: On Alexander Kriss’s “Borderline”
Mala Chatterjee reads Alexander Kriss’s “Borderline: The Biography of a Personality Disorder” in the context of her own borderline diagnosis.
Criticism
Another Kind of Prescience
Hannah Sage Kay reviews David K. Seitz’s “A Different Trek: Radical Geographies of ‘Deep Space Nine.’”
The Energy to Imagine Him: On Salman Rushdie’s “Knife”
Shehryar Fazli reviews Salman Rushdie’s “Knife: Meditations After an Attempted Murder.”
Why Frantz Fanon Changed His Name: On Adam Shatz’s “The Rebel’s Clinic”
Robert J. C. Young reviews Adam Shatz’s “The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon.”
How to Read Provincially: On Sumana Roy’s “Provincials”
Sameer Pandya reviews Sumana Roy’s “Provincials: Postcards from the Peripheries.”
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From the Archive
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The Technologies That Remake Us: On Ted Chiang’s “Exhalation: Stories”
“Exhalation: Stories” is a stunning achievement in speculative fiction, from an author whose star will only continue to rise.
A Reactionary Turn in Literary Studies: On Jonathan Kramnick’s “Criticism and Truth”
Elizabeth S. Anker reviews Jonathan Kramnick’s “Criticism & Truth: On Method in Literary Studies.”
What’s Left of Originalism? On Jack M. Balkin’s “Memory and Authority”
Andrew Koppelman critiques Jack Balkin’s ”Memory and Authority.”
The Ethnography of Deep Suffering: On Angela Garcia’s “The Way That Leads Among the Lost”
Ieva Jusionyte reviews Angela Garcia’s “The Way That Leads Among the Lost: Life, Death, and Hope in Mexico City’s Anexos.”
Refracted Migrations: On Ae Hee Lee’s “Asterism”
Ananya Kanai Shah reviews Ae Hee Lee’s “Asterism.”
To Be Real: On Emily Nussbaum’s “Cue the Sun!”
Olivia Stowell reviews Emily Nussbaum’s “Cue the Sun! The Invention of Reality TV.”
Thick with Her Own Threads: On Rosalind Brown’s “Practice”
Meara Sharma reviews Rosalind Brown’s “Practice.”
Necromancer: On Frederick Seidel’s “So What”
Erick Verran reviews Frederick Seidel’s “So What.”
Heartbreak Supernova: On Carrie Courogen’s “Miss May Does Not Exist”
Tim Riley reviews Carrie Courogen’s “Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius.”
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